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      すべてのカテゴリー - Ayaito Marron | Contemporary Textile Artist

      すべて
      Stitching Time and Sea
      Sea in My Palm
      Levitating Embroidery
      Embroidered Narratives
      Selected Commissions
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      Barringtonia and Pink Jellyfish

      Stitching Time and Sea: Barringtonia and Pink Jellyfish 2026 Hand embroidery on silk organza, silver leafl, brass wire W 42 x H 42 x D 4.8 cm Inspired by the subtropical landscapes of southern Japan, this work layers present-day Barringtonia with a jellyfish from an earlier sea, bringing different moments in time into one image. 日本南部の亜熱帯の風景を想定し、現在のサガリバナと、かつての海のクラゲを重ね、異なる時間をひとつの画面に置いています。

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      Blue Jellyfish

      Blue Jellyfish 2025 Embroidery on silk organza, human hair, metal leaf, fish tank W45 x H40 x D30 cm Selected and exhibited at the Marginal Art Fair 2025 , Hirono, Fukushima, Japan.

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      Drifting Seaweed

      Sea in My Palm: Drifting Seaweed 2026 Embroidery on organza, thread, human hair, metal leaf, brass wire, shell W19 x H12 x D2 cm

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      Daisy and Ammonite

      Stitching Time and Sea: Daisy and Ammonite 2026 Hand embroidery on organza, shell, brass wire W 9 x H 7 x D 3 cm

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      Octopus and Eggs

      Sea in My Palm: Octopus and Eggs 2026 Embroidery on organza, human hair, brass wire, shell W7 x H5.5 x D2.5 cm

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      Shark and Egg

      Sea in My Palm: Shark and Egg 2026 Embroidery on organza, brass wire, shell W15 x H21 x D5.5 cm

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      Leafy Seadragon

      Leafy Seadragon 2025 Embroidery on silk organza, human hair, metal leaf, fish tank W 20 x H 20 x D 10 cm

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      Lionfish and Blue-green Chromis

      Lionfish and Blue-green Chromis 2024 Embroidery on silk organza, human hair, metal leaf W 48 x H 31 x D 8 cm

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      Weedy Seadragon

      Weedy Seadragon 2022 Embroidery on silk organza, human hair, metal leaf W 28 x H 23 x D 4 cm

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      Caulerpa okamurae and silver fish

      Caulerpa okamurae and silver fish フサイワヅタと銀の魚 2022 Embroidery on silk organza, human hair, metal leaf W 22 × H 27 × D 4 cm

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      Hippocampus sindonis

      Hippocampus sindonis ハナタツ 2022 Embroidery on silk organza, human hair, metal leaf W 18 × H 24 × D 4 cm

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      Kaitoge (Sea Wisteria)

      Kaitoge takes its name from a Japanese term for octopus eggs, meaning “sea wisteria”. Above, a mother octopus guards her hanging eggs until they hatch, nearing the end of her life. Below, a mermaid plants sea flowers on a dolphin that has died, as its body becomes a source of new life. The mermaid’s gesture expresses respect for a life that has ended. Through her planting, I express my reverence for nature, where each life supports others. For me, there is something sacred in this continuity and in the diversity of life. Hand embroidery on two layers of translucent fabric, with shimmering threads and beads, creates depth, shadows and a sense of suspension. I invite viewers to look closely and share my wonder at the connections through which life continues. (2024)

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      Unicorn and Mermaid

      In the medieval world, spinning thread was considered a woman’s duty, and chastity her virtue. The mermaid which was a symbol of desire and temptation stood in stark contrast to this ideal. And yet, here she sits beside a unicorn, turning a spinning wheel, twisting threads of seaweed into shimmering cloth. She does it simply because she wants beautiful seaweed fabric. (2023)

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      Sea carriage

      Sea carriage 海馬車 2023 W 15 x H 10 cm

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      にんぎょ島の曼荼羅 Mandala of Mermaid Island

      にんぎょ島の曼荼羅 Mandala of Mermaid Island 2021 Hand embroidery on fabric, beads, human hair Diameter 45 × H 4 cm

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      子守人魚 Mermaid Nursing a Child

      子守人魚 Mermaid Nursing a Child 2021 Hand embroidery on fabric, beads Diameter 15 × H 4 cm

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      貝吹人魚 Mermaid Blowing a Conch

      貝吹人魚 Mermaid Blowing a Conch 2021 Hand embroidery on fabric, beads, human hair Diameter 15 × H 4 cm

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      髪梳人魚 Mermaid Combing Her Hair

      髪梳人魚 Mermaid Combing Her Hair 2021 Hand embroidery on fabric, beads, human hair Diameter 15 × H 4 cm

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      Embroidered Illustration | Book Cover

      At the suggestion of book designer Shuichi Ogata, the reverse side of the embroidery was also used on the reverse of the book jacket. ____ 刺繍イラスト|装画 『くたかけ』 ブックデザイナー・緒方修一氏のアイデアにより、カバーの裏面には刺繍作品の裏側も使用されています。

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      Embroidered Illustration | Textbook Cover

      The commission came about after the publisher saw my sea-inspired embroidery works, leading to a request for an embroidered cover illustration. ____ 刺繍イラスト|装画 『栄養科学イラストレイテッド 食品機能学』 海にまつわる刺繍作品をご覧いただいたことをきっかけに、装画をご依頼いただきました。

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      • Ayaito Marron  

        (綾糸まろん)

        Contemporary textile Artist
        Finding beauty and wonder in marine life, natural history and deep time through embroidery.
        海の生き物、自然史や過去の生き物の痕跡から見つけた、美しさや驚きを刺繍でかたちにしています。

      © Ayaito Marron

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